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Best
in Show
An interactive,
three-dimensional design lets visitors get up
close and personal with the Antron color story.
When
the Antron Resource Center was built 16 years
ago, the idea was to create an evolving showroom,
redesigned for NeoCon each year to reflect market
trends and reinforce the Antron carpet fiber brand.
In 2004, the Antron space was picked as the Best
of Competition winner in the 31st annual IIDA
Interior Design Competition.
Redesigning the 3,000-square-foot
interior each year means continually looking at
the space with fresh eyes, says Eileen Jones,
Principal at Perkins + Will/Eva Maddox Branded
Environments, the firm charged with re-imagining
the space each year. As the Creative Director,
Jones spearheaded the project. We have to
continually look at what is most crucial to the
audience being served, and that changes from year
to year, Jones says.
Though Antron sells fiber
to carpet mills, the audience extends beyond just
mill representatives. Designers, architects and
end users, such as building owners and managers,
all come to the center to learn about the Antron
carpet fiber. It serves as an educational facility
for fiber seminars and a product showroom is an
adaptable space, charged with communicating Antrons
brand image and serving as a creative environment
for brainstorming sessions, marketing, conferences
and Invista (Antrons manufacturer) corporate
purposes. This multifunctional use means the design
must accomplish several things seamlessly. As
a fully branded environment, it has to blend architecture,
environmental graphics, products and communications
into a seamless story and customer experience,
Jones says, without crossing the Disney
line.
Though the basic architectural
shell stays the same each year, the configuration
of space changes. New pieces of furniture, graphics,
finishes and floor coverings tell part of the
design makeover story. Above all, Jones and her
team work to find new ways to interpret the Antron
brand in a three-dimensional environment. We
always challenge Eileen and her team to come up
with something fresh, bold and dynamic,
says Georgina Sikorski, Commercial Marketing Director
for Antron. We bring the business perspective,
and she brings the design perspective.
The
inspiration really comes from the brand itself,
Jones says. New product offerings or trends often
are a good place to start. Last year Antron wanted
to spotlight a new type of yarn that blends several
colors into a solid. This got the design
team thinking about the best way to display it,
Jones says. Ultimately, they decided on
a vertical display methodology and created a round
fiber sculpture that portrayed the blended color.
The project designers sought
to make the space interactive. We needed
to make the fiber tangible, Jones says.
To that end, the firm came up with two interactive
ideas: the fiber car wash and the
honeycomb.
The car wash positioned
toward the back of the space was a display
of hanging fiber that visitors could walk through.
Toward the front of the space, the honeycomb displayed
all 360 colors of Antron, DSDN and other fibers
from Invista in tubes. By placing chunks of the
fiber in the recycled cardboard tubes, visitors
could pull out the fiber and touch it.
To create a sense of composition
so that the strongest colors had a chance to pop,
Jones incorporated size and scale changes, varying
the sizes of the tubes throughout the display.
Though the honeycomb display
was one of the most visually striking elements
of the Antron space, it also was the most challenging.
All 360 cones of fiber had to be unwound. At first,
the design team did it by hand, which ate up valuable
work time. They soon found an ingenious solution:
Hook the cones up to drills and put the drills
in reverse.
The color story is carried
throughout the Antron space, informed in part
by the Antron Color Point of View, a book produced
and designed by Perkins + Will each year. Antron
Color Point of View isnt a color forecast;
its based on trends and tropes in culture
that drive perceptions of color, from fashion
to bioengineering to spirituality. The book is
handed out to Antron visitors during NeoCon each
year. Visitors can vote on their favorite colors,
which Perkins + Will later reports in survey results.
For the purpose of the Antron display, the design
team picked 10 colors from Antron Color Point
of View to emphasize. They placed those color
fibers in large plexi tubes to create a strategic
focus and to connect Antron to a larger design
context. The team does a great job understanding
what the latest colors are and how that fits into
our business, Sikorski says.
Though
they wanted to make the space live large, Jones
and her team didnt want to clutter it. Overdesigning
can be a temptation in a showroom designed for
other designers. We really learned how to
work with minimal display components to maximum
effect, she says. We only employed
three materials for product display: cardboard
tubes, plexi and wire grid. The fiber does the
rest. Keeping the space clean served both
a practical and an aesthetic end. Practically
speaking, it allowed large numbers of people to
circulate through the area and learn about the
fiber. Aesthetically, the uncluttered space allowed
the strength of the product to speak for itself.
Building simplicity into
the design solution also allowed Jones and her
team the chance to experiment with the space.
In designing showroom or retail environments,
the sense of balance often can be thrown off by
attention-grabbing products placed incorrectly.
In the Resource Center, the symmetrical organization
in the front portion of the showroom is counterbalanced
by the asymmetrical fiber display placement in
the center and rear spaces. That creates
some degree of tension, and therefore interest,
Jones says. It also creates secondary and
tertiary focal points that draw you in and keep
you moving.
In addition to the central
color message, the design team created a sub-message
of sustainability. Antron was the first fiber
to be certified by the Scientific Certification
Systems and recently was recertified. The Antron
carpet fiber also earned certification as an Environmentally
Preferable Product. Our goal is to reduce
our environmental footprint, Sikorski says.
That doesnt mean, however, that the
brands captivating array of color cant
live large in our minds.
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Re-imagining
the Antron Resource Center every year
is one of many projects shepherded
by Chicagos Perkins + Will/Eva
Maddox Branded Environments. Eva Maddox,
FIIDA, Principal, also founded the
citys alternative design school,
Archeworks, along with architect Stanley
Tigerman, FAIA. Focused on teaching
students to take a broad, socially
responsible view of design, Archeworks
uses a multidisciplinary approach
to create design solutions for social
concerns, says Molly Baltman, Executive
Director of Archeworks.
Students
all working professionals come
from various fields, including architecture,
design, law and business. Ninety students
have graduated from the design school
since its founding in 1994. Admission
is competitive, Baltman says. The
main thing were looking for
is passion and dedication to socially
conscious design, she says.
A stint at Archeworks
allows students to study an issue
intensely for nine months. Maddox
who is involved with Archeworks
on a day-to-day basis often
will come up with project proposals,
which may range from neighborhood
revitalization, public and community
health projects to investigations
into good design in areas of social
need. This year, the team will be
partnering with international office
design-and-manufacturing firm Haworth
Inc., to develop strategies for extending
the life of office furniture and finding
alternatives for its end-of-life use.
We selected this prototype project
to build a case for the design industry
and to command valid design solutions
for furniture sustainability,
Maddox says.
Though expansion
always is tempting, for now Archeworks
will remain its current size, working
with about 20 students a year. We
feel we can make some of the biggest
changes on a small scale, Baltman
says.
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