Share Your Perspectives on Interior Design

The International Interior Design Association is looking for interior design experts to share their knowledge and further the Profession by contributing papers to Perspective Journal.

Are you a leader in identifying and addressing the challenges facing design practitioners, their firms, and the design and manufacturing community at large? Are you on the forefront of cutting-edge thought and the newest design solutions? Perspective seeks submissions that will help advance design careers and the Profession. Articles should be written in a conversational style and from an objective, research-oriented point-of-view. Specifics and facts to back up claims are a must, as well as a compelling story.

Before you get started, please see the Author Guidelines. Ready to write? Contact Michelle Bowles (mbowles@imaginepub.com), Senior Editor, or Jocelyn Pysarchuk (jpysarchuk@iida.org), IIDA Managing Director, Communications and Marketing, with your proposal. We'll offer you direction and help you put together an insightful piece.

Thanks for helping make Perspective the premier journal of the interior design industry!


Perspective Journal Author Guidelines

Mission
Perspective advances the state of the art of the interior design practice by providing cutting-edge information to professionals in the field. Perspective, which is published by the International Interior Design Association (IIDA) as an added value to its Members, seeks to publish original, useful articles in interior design, focusing on thought leadership, emerging trends and issues facing the profession.

Read by more than 10,000 professional interior designers in IIDA's membership and select industry affiliations, Perspective welcomes and appreciates contributions from the general interior design community, including experts/advocates, industry gurus and manufacturing specialists.

Content
Perspective articles cover best practices, lessons learned, state-of-the-art tools, commentary on the state of the industry, and emerging design theory. Perspective also contains letters to the editor, resources and IIDA news to keep the reader informed of new developments in the design field.

Opinions/knowledge must be presented in a manner that is:

  • Substantive
  • Provocative
  • Inspirational
  • Critical or "constructively challenging."

Perspective neither approves nor disapproves, nor does it guarantee the validity or accuracy of any data, claim, opinion, or conclusion presented in either editorial content or advertisements.

Submission of Articles
The editor and editorial team review submissions. Accepted manuscripts are subject to editorial changes. The author is solely responsible for all statements made in his or her work, including changes made. Submitted manuscripts are not returned to the author.

Authors must submit articles in electronic format, as a Microsoft Word document. Manuscripts must be in English. Foreign-language articles are welcome, but an exact English translation of all text and figures must accompany the document.

Overall, authors should:

  • Keep article length to approximately 1,500-2,500 words
  • Retain a professional tone; avoid first person
  • Directed content to interior design practitioners
  • Substantiate factual statements with references, and, if your article is based on a research project, be sure to credit any sponsors.

Direct all editorial queries to Michelle Bowles, Senior Editor with Imagination Publishing, at 312.887.1000, ext. 105. Send all completed manuscripts to Imagination Publishing, 600 W. Fulton St., Ste. 600, Chicago, IL 60661 or e-mail electronic copies to mbowles@imaginepub.com.

Artwork
Artwork, including hard copy or electronic pictures scanned to 300 dpi (minimum), graphs and tables, is strongly encouraged. Electronic images should be either JPEG, TIF or EPS format. Color pictures should be taken by a professional photographer, when possible, and should reflect optimum framing, clarity and depth of field. Close-ups and action shots are desirable.

All sources of information (artwork or otherwise) including full name, title (if applicable), address and phone number/Web page must be listed separately.

PLEASE NOTE: As we are concerned about the integrity of graphics and preserving the design standards of the publication, we cannot guarantee photos, slides or diagrams will be incorporated. The entire editorial staff at Perspective will do its best to produce your article in the manner submitted. However, we do retain the right to final editorial approval over all written and graphic materials.

Clearances
Each author is responsible for clearance from his/her organization as well as permission to reproduce any figure, table and text previously published by others. By submitting a manuscript, the author certifies that it is not under simultaneous consideration by any other publication; that neither the manuscript nor any portion of it is copyrighted; and that it has not been published elsewhere. Exceptions must be noted at the time of submission.

Organization of Manuscript
The order of contents in a submission is title; deck/teaser; byline; main body with introduction and discussion points; author bio; sidebars (with headlines); graph or table information; and captions for suggested pictures.

Title-The title should be brief, explicit and descriptive. It should allow the reader to grasp the general nature of the work.

Deck/Teaser-The deck/teaser is a one-sentence article summary that entices the reader by offering insights to be gained in the article.

Byline-The byline includes the author's full name, with middle initial. Designations such as Dr., Mr., etc. will be removed. Appellations are permissable, with IIDA listed first in the series of affiliations.

Main Body-Paragraphs should clearly state an individual concept as concisely as possible. Use plain language when possible, avoiding technical terms. Sections or paragraphs should use subheadings when needed, for easy reference. When long lists are required to explain a concept, bullets are preferred. All direct quotes must be referenced by speaker, company and location. Commercialism and subjective claims will be removed.

Author Biography-The author bio must contain the author's full name, company, location and credentials related to the information presented.

Sidebars-Up to two Sidebars of 700 words or less may be used to illuminate another side of the main concept or tangential information that explains the "big picture."

Graphs, Tables and Charts-This information must be typed into the electronic document. Data on the same line should be separated by tabs. Returns should be used to separate lines. A headline explaining the graphic must be included, and all graphs, tables and charts should be numbered consecutively. A key may be used to explain the symbols/colors used. A picture or line drawing of the completed artwork must accompany the electronic version.

Captions-All artwork must be accompanied by a brief caption that concisely explains the concept presented in the picture, table, chart or graph without reference to the text.

Sources-Authors are required to provide a list of their sources (name, company, location, telephone number or Web site) for editorial fact checking.

Style
The manuscript must be free of wordiness, irrelevant material, incorrect spelling and repetition. Perspective reserves the right to edit manuscripts for style, and articles will NOT be made available for review before publication, unless prior arrangement has been made. Manuscripts must be prepared in accordance with The Associated Press Stylebook and Libel Manual and Merriam-Webster's Collegiate Dictionary.

Style specific to Perspective and Imagination Publishing:

. Appelation: IIDA always comes first in listings of multiple appelations: Richard Pollack, FIIDA, AIA, Kendall P. Wilson, IIDA, AIA. List all subsequent appelations in alphabetical order.

. Apostrophes: PLURAL NOUNS NOT ENDING IN S: Add 's: the alumni's contributions, women's rights. PLURAL NOUNS ENDING IN S: Add only an apostrophe: the legion of Bauhaus' followers, the VIPs' entrance.

. Capitalization: Always capital "A" when referring to IIDA as the Association. Always capitalize "M" when referring to IIDA Members (membership is not capitalized). Always capitalize Chapters, Forums and Regions when used in reference to IIDA.

. Commas: IN A SERIES: Use commas to separate elements in a series, but do not put a comma before the conjunction in a simple series: The flag is red, white and blue. He would nominate Tom, Dick or Harry. Put a comma before the concluding conjunction in a series, however, if an integral element of the series require a conjunction: I had orange juice, toast, and ham and eggs for breakfast.

. Dashes: ABRUPT CHANGE: Use dashes to denote an abrupt change in thought in a sentence or an emphatic pause: We will fly to Paris in June-if I get a raise. Smith offered a plan-it was unprecedented-to raise revenues. SERIES WITHIN A PHRASE: When a phrase that otherwise would be set off by commas contains a series of words that must be separated by commas, use dashes to set off the full phrase: He listed the qualities-intelligence, humor, conservatism, independence-that he like in an executive.

. Footnotes: Incorporate sources within the text. If this is not possible, cite sources in a reference list at the end of the article and incorporate parenthetical information within the main body of the article.

. Hyphens: Hyphens are joiners. Use them to avoid ambiguity or to form a single idea from two or more words. Some guidelines: AVOID AMBIGUITY: use a hyphen whenever ambiguity would result if it were omitted: The president will speak to small-business men. (Businessmen normally is one word. But the president will speak to small businessmen is unclear.)
COMPOUND MODIFIERS: When a compound modifier - two or more words that express a single concept - precedes a noun, use hyphens to link all the words in the compound except the adverb very and all adverbs that end in -ly: a first-quarter touchdown, a bluish-green dress, a full-time job, a very good time, an easily remembered rule.

. Interior Design: Capitalize when used as a noun. Lowercase when used as an adjective.

. Internet: Always has a capital I.

. Journals: When referencing a Journal, the publication's name is always italicized with first letters capped, followed by the unitalicized word, "Journal," always with the letter M capped, i.e., Newsweek Journal, U.S. & World News Report Journal.

. Numbers: Spell out one through ten, 11 and up are written numerically except for the case in which a number begins a sentence: Nineteen people attended. And except for the case of dates: October 21, 2001.

. Percentages: Do not use % symbol, rather spell out: 25 percent.

. Pull Quotes: All pull quotes must appear on the page where mentioned.

. Quotation: FOR DIRECT QUOTATIONS: To surround the exact words of a speaker marks or writer when reported in a story: "I have no intention of staying," he replied. "I do not object, " he said. "to the tenor of the report." Franklin said, "A penny saved is a penny earned." On a first reference of a name attribution to a quotation, use the individual's full name, title and company name: "The Environment Group will establish a green design initiative," said Cary Johnson, President of The Environments Group. On a second reference to that same individual, use the last name only: "We have worked hard to that end," asserted Johnson. References are in past tense: said Johnson, asserted Pollack.

. Time: Use figures except for noon and midnight. Use a colon to separate hours from minutes: 11 a.m.,
1 p.m., 3:30 p.m.

. Titles: Capitalize all titles: Chip Degrace, Creative Strategist.

. Trademark: For names requiring a trademark or register mark, include the applicable register mark in the headline and first body copy reference.

. U.S.: Spell out when used as a noun: The United States is the home of Greenpeace. Use U.S. (no space) only as an adjective: The U.S. Green Building Council.

. Web site: Capital "W" in web, then a space before site, which has a lower case "s": Web site.

. Years: Use an s without an apostrophe to indicate spans of decades or centuries: the 1890s, the 1800s